Hateful to me as are the gates of hell, Is he wh
o, hiding one thing in his heart, Utters another.
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The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
Introducing the Atlante font family, a serif typeface
of beautiful excess from Yorlmar Campos and Martín
Sesto. Just as a handsaw and a hammer can together
build something better than either could alone, different
tools used for different reasons can often create a
final hybrid product better inclined for more uses. This
was the thought behind Atlante: the two writing tools
of the flat pen and flexible pen, normally used for different
purposes, informed its design to make it more
aesthetic. Thus, Atlante taps into the rich typographic
and stylistic history of baroques, Garaldes, transitional,
and modern categories, while still being its own
thing. It’s the definition of a perfectly blended family.
The first thing likely noticed is the sharpness and
precision of Atlante’s forms, which makes sense, as
it originally stemmed from the idea of an italic-only
family. Care was taken with the extreme weights and
delicate contrast to maintain its sophistication in pixel
and on paper.
The entire family feels comfortingly familiar while
being a fresh take on a text and display companion.
The display styles push
the ideas to either edge: more contrast, sharper, more
flowing, more presence. Compare the ‘a, s’ in both
styles to see it transition from svelte to sturdy.
ABCDEFGHIJKLMNOPQRSTUVWXYZabcdefghijklmnopqrstuvwxyz0123456789@.,:;!?’)]”<>/&-