There are two kinds of disease
of the soul, vice and ignorance.
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The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
The quick brown fox jumps over a lazy dog
Tħé qüiçk břøŵñ főx júmpš övér á łäżý đòġ
Linotype Projekt是由德国字体设计师Andreas Koch创作,具有明确的灵感和目标。我突然意识到像Helvetica和Univers这样的字体在铸字排版中似乎比用现代数字排版的质量更高。他们更强大、更活泼。一部分归因于将字符压在纸上的打印过程,另一部分原因归于字母的形式,这些字形与同一字体的PostScript版本有所不同。印刷的一个重要方面是由于压力而导致的字符宽度略有增加,这也可以作为对形式的视觉校正。(真正的正方形看上去有点像桶状。)我想恢复这种特殊性,不是因为怀念,而是因为它更具吸引力。结果就有了Linotype Projekt,一款清晰和谐、易读性极高的文本字体,Koch生活在德国的比勒费尔德,是书籍与字体方面的自由设计师。”
Linotype Projekt was created by German type designer Andreas Koch with both a well-defined inspiration and goal. It occurred to me that typefaces like Helvetica and Univers seemed to have a higher quality in hot-metal composition as with modern digital typesetting. They are stronger and livelier. This is in part due to the printing process, which presses the characters onto paper, and in part to the forms of the letters, which differ from the PostScript version of the same typeface. An important aspect of printing is the slight increase in character width resulting from the pressure which also serves as an optical correction to the forms. (True exact squares appear slightly barrel-formed to the eye.) I wanted to revive this peculiarity, not because of a nostalgic feeling, rather just because it is more attractive." The result is Linotype Projekt, a text font which is harmonious, clear and extremely legible. Koch lives in Bielefeld, Germany, and is a freelance book and type designer."
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