The comic and the tragic lie insepa
rably close, like light and shadow.
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The quick brown fox jumps over a lazy dog
The quick brown fox jumps over a lazy dog
The quick brown fox jumps over a lazy dog
尽管在字体设计上与印刷之王(Bodoni)几乎没有相似之处,但Poster Bodoni将现代字体的笔画对比功能推向了极致。它是由Chauncey H. Griffith于1929年设计的,风格酷似19世纪的宽大字体。在所有字重(Black、Black italic以及Compressed)中,细窄的字怀形状与坚固且赏心悦目的主笔画进行缓冲。巧妙细微的差别(例如Q的字尾以及圆形的末尾)使这种字体同时给人一种愉悦且印象深刻的感觉,非常适合广告和标识使用。”
Though it bears little resemblance to the types designed by the King of Printers (Bodoni) , Poster Bodoni pushes the stroke contrast feature of the modern faces to a captivating extreme. It was designed by Chauncey H. Griffith in 1929, and resembles the fat-faces of the nineteenth century. In all weights - black, black italic, and compressed - the skinny counter shapes are cushioned by solid and satisfying main strokes. Clever nuances (like the tail of the Q and the ball terminals) help to give this type a simultaneously cheerful and impressive ambiance that's great for advertising and signage."
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